Isabelle Faust, ‘Sleeping Beauty’ Stradivari, c. Entering her third season as Artistic Partner of the Trondheim Soloists, Alisa Weilerstein undertakes a tour in Germany with concerts in the Cologne. Joshua Bell, ‘Gibson, Hubermann’ Stradivari, 1713ĭaniel Müller-Schott, Matteo Goffriller c. Weilerstein is a throwback to an earlier age of classical performers: not. Narek Hakhnzaryan, Guarneri ‘filius Andreae’, 1707 Alisa Weilerstein was recognized with a MacArthur genius grant Fellowship in 2011. Steven Isserlis, ‘Marquis de Corberon’ Stradivari Janine Jansen, ‘Rivaz, Baron Gutmann’ Stradivari Renaud Capuçon, ‘Panette’ Guarneri ‘del Gesù’, 1737 The 40-odd cellos of his that survive are as much a pleasure for the eyes as for the ears.Īlisa Weilerstein, Wigmore Hall, Monday 28 October Montagnana had access to the highest quality materials: deeply flamed maple, fine-grained spruce and an exceptional dark red-brown craquelled varnish. Alisa Weilerstein joins forces with the Czech Philharmonic Orchestra and its Czech Music Director, Jiri Blohlavek in a terrific and deeply authentic musical. Find top songs and albums by Alisa Weilerstein, including Cello Sonata No. During his reign as the leading maker in Venice, other talented makers were recruited from Cremona (Pietro Guarneri) and Bologna (Carlo Tononi). Conductor Karina Canellakis leads the SF Symphony and cellist Alisa Weilerstein in a concert featuring Richard Strauss stunning Don Quixote for solo cello. Listen to music by Alisa Weilerstein on Apple Music. Originally from the town of Lendinara, Montagnana was the first significant Venetian maker to come from the Veneto region. A passionate interpreter of Bachs solo cello repertoire and one of the leading cellists of her generation, Alisa Weilerstein makes her long-awaited Santa. In the 17th century, instrument making in Venice was dominated by foreign workers mostly hailing from Bavaria as evidenced by their surnames: Kaiser, Railich, Seelos and Straub. Cellos by Montagnana are slightly shorter in body length than the standard Stradivari model, but they are considerably broader in the bouts and waist, giving them exceptional manoeuvrability in higher positions while maintaining all the power and resonance needed to fill the largest halls. Dubbed the ‘Mighty Venetian’ by the novelist Charles Reade, Montagana has long been a favourite of leading cellists, including Emanuel Feuermann, Heinrich Schiff, Yo-Yo Ma, Misha Maisky and Boris Pergamenschikow. The cello played by Alisa Weilerstein was made by Domenico Montagnana in Venice in around 1730. Historical context, expert commentary, rare images and original recordings LSO Digital Exhibition, Violins of the LSO Violin Festival.Violin, viola and cello bows of the 18th century Italian cello making: origins to 1750, expert commentary, artist interviews, rare images Panormo The life and work of Vincenzo and his sons Latest research, new biography, 22 instruments and bows.Spotlighting the historic instruments played at the Wigmore Hall Sales Tax (New York, London and Berlin Sales).
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